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High Museum of Art (1983). Architect: Richard Meier.
| Outer structural beams of Richard Meier's wing of High Museum of Art.
| High Museum of Art viewed from Peachtree Street.
| Curving spaces & statuary of Richard Meier's wing of High Museum of Art.
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Alexander Calder Mobile at High Museum against The Peachtree building at corner of Peachtree & 16th streets.
| High Museum of Art with Calder Mobile & surrounding skyscrapers.
| Painting of yellow House 3 by Roy Lichtenstein against Richard Meier's wing of High Museum of Art.
| Atrium of Richard Meier's building of High Museum of Art.
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Various levels of atrium of High Museum of Art.
| Pritzker prize-winning ramps in atrium of High Museum of Art.
| Transition bridges between the Meier-designed & Piano-designed wings of High Museum of Art.
| Vertical thrust with wave tops of walls of new Wieland Pavilion wing (2005) of High Museum of Art.
Architect: Renzo Piano.
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Courtyard signage of new Piano wing of High Museum of Art.
| Courtyard between High Museum of Art (right) & Memorial Arts symphony hall amid skyscrapers: Symphony Center, Promenade 2 & GLG Grand.
| Interior ceiling of newer Renzo Piano-designed wing of High Museum of Art.
| Interior exhibit space as conceived by Renzo Piano in High Museum of Art.
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Marilyn Monroe Portfolio (1968) by Andy Warhol at High Museum of Art.
| Three wooden Nwantantay masks (1987) by Burkina Faso artist Yacouba Bondé in African art collection at High Museum of Art.
| Guinea & Sierra Leone wooden sculptures & masks (19th & early 20th C) in African art collection at High Museum of Art.
| Nigerian Yoruba wooden helmet mask (c1875-1925) in African art collection at High Museum of Art.
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Memorial Arts Building (1968) (1280 Peachtree Street NE) home of Atlanta Symphony. Architect: Joseph Amisano.
| Memorial Arts Building detail.
| Memorial Arts Building canopied entrance on campus of Robert W. Woodruff Arts Center.
| Memorial Arts Building with World Events sculpture.
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World Events (1996) sculpture by Tony Cragg at entrance of Memorial Arts Building.
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